Lettione seconda pur della prattica di sonare il violone d’arco da tasti, composta per Silvestro Ganassi dal Fontego desideroso nella pictura, la quale tratta. Donor challenge: Your generous donation will be matched 2-to-1 right now. Your $5 becomes $15! Dear Internet Archive Supporter,. I ask only. Silvestro Ganassi’s La Fontegara (Venice ), a treatise methodologically describing instrumental diminutions, still remains enigmatic. By offering a contextual.
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You know that the bow is to be held with three fingers, that is to say the thumb, the index and middle fingers. This page was last edited on 26 Aprilat His treatises are now available in modern editions. Opera intitulata Fontegara Venice, Contents 1 Performances 2 Sheet Music 2.
Note that a few countries have copyright terms longer than 70 years: You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. There are some minor differences from the Forni Facsimile Edition based on the Bologna copycompare f. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term.
Then you could use the fingers to stretch the hairs when playing fewer strings or a single string. They cover both technicalities of playing and the subtleties of expression.
ganaassi Mexico has years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. There is also guidance on ornamentation — passaggi.
Sylvestro Ganassi’s Fontegara
Men in art Silvestro Ganassi dal Fontego. This page was last edited on 23 Novemberfongegara Please obey the copyright laws of your country. IMSLP assumes no legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Work Title Opera intitulata Fontegara Alt ernative.
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 70 years or less. Opera intitulata Fontegara, la guale insegna a sonare di flauto chon tutta l’arte opportuna a esso istrumento massime il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: Some interpretations of this passage conclude that the bow is to be held without touching the hair,  whereas in later bow-holds the fingers tension the hair in order to allow louder or accented playing without the stick of the bow hitting the string.
His first treatise covers recorder playing: The thumb and middle finger ensure, in holding the bow, that it does not fall, and the index finger serves to strengthen and stabilize it, keeping it on the strings and exerting more or less pressure according to the need.
Sylvestro Ganassi – La fontegara
Sylvestro Ganassi – La fontegara – NaxosDirect
In a later passage, however, Ganassi makes it clear that the hair may be tensioned with the fingers in at least some circumstances, for example when playing chords to accompany a song:. None [ force assignment ] First Pub lication. From Wikimedia Commons, the free media repository. His second in two volumes is about the viola da gamba: In other projects Wikimedia Commons. The revival of interest in historically aware musical performance has resulted in renewed interest in Ganassi’s writings.
Opera Intitulata Fontegara
Silvestro di Ganassi dal Fontegoalso given as Sylvestro di Ganassi dal FontegoSilvestro Ganasi dal Fontegoand Silvestro dal Fontego 1 January —  was a Venetian musician and author of two important treatises on instrumental technique.
Sylvestro Ganassi I can say that if you wished to play a piece which is in four or five gsnassi while singing the fifth, you would need to use a longer bow than is customarily used. Retrieved from ” http: